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Female impersonators

 Subject
Subject Source: Unspecified ingested source

Found in 118 Collections and/or Records:

La Fin Tragique, 1915

 Item — Box 2: [Barcode: 31924113964971], Folder: 18
Identifier: 302
Scope and Contents

Printed verso includes lines for permited information, limited to name and address of sender and recipient.

Dates: 1915

La Grande Guerre, 1915

 Item — Box 2: [Barcode: 31924113964971], Folder: 16
Identifier: 292
COLLECTION DESCRIPTION From the Collection: Postcards portraying cross-dressing and female and male impersonators in France, Sweden, Austria, Spain, Belgium, the United Kingdom, the United States, Germany, Italy, and Romania. Postcards include photographic and photomechanical prints, some hand-colored. All are printed between circa 1900 and 1930 and depict performers on amateur, café-concert, music-hall, and legitimate stages at the high-point of cross-dressing as a form of entertainment. Many depict gallant visual narratives of...
Dates: 1915

La merine a nastasie, 1909

 Item — Box 1: [Barcode: 31924070754597], Folder: 17
Identifier: 173
Scope and Contents

Series of two postcards (with card 174) representing scenes and characters from La Mérine à Nastasie (1902), a play by Yann Saint- Acer, written in the Saintongeais dialect of the west coast of France.

Dates: 1909

La merine a nastasie, 1906

 Item — Box 1: [Barcode: 31924070754597], Folder: 17
Identifier: 174
Scope and Contents

Series of two postcards (with card 173) representing scenes and characters from La Mérine à Nastasie (1902), a play by Yann Saint-Acer, written in the Saintongeais dialect of the west coast of France.

Dates: 1906

La Tolosa, 1910

 Item — Box 1: [Barcode: 31924070754597], Folder: 10
Identifier: 91
COLLECTION DESCRIPTION From the Collection: Postcards portraying cross-dressing and female and male impersonators in France, Sweden, Austria, Spain, Belgium, the United Kingdom, the United States, Germany, Italy, and Romania. Postcards include photographic and photomechanical prints, some hand-colored. All are printed between circa 1900 and 1930 and depict performers on amateur, café-concert, music-hall, and legitimate stages at the high-point of cross-dressing as a form of entertainment. Many depict gallant visual narratives of...
Dates: 1910

La Valse de Soissons, 1915

 Item — Box 2: [Barcode: 31924113964971], Folder: 18
Identifier: 308

Lane? "La Maxixe.", 1906

 Item — Box 2: [Barcode: 31924113964971], Folder: 10
Identifier: 253
COLLECTION DESCRIPTION From the Collection: Postcards portraying cross-dressing and female and male impersonators in France, Sweden, Austria, Spain, Belgium, the United Kingdom, the United States, Germany, Italy, and Romania. Postcards include photographic and photomechanical prints, some hand-colored. All are printed between circa 1900 and 1930 and depict performers on amateur, café-concert, music-hall, and legitimate stages at the high-point of cross-dressing as a form of entertainment. Many depict gallant visual narratives of...
Dates: 1906

Le berceuse du gosselin, 1905

 Item — Box 1: [Barcode: 31924070754597], Folder: 18
Identifier: 179
Scope and Contents

Female impersonator holding a porcelain doll and dressed as a nanny in a lace cap and apron.

Dates: 1905

Le trousseau e Rosalie, 1910

 Item — Box 2: [Barcode: 31924113964971], Folder: 25
Identifier: 356
COLLECTION DESCRIPTION From the Collection: Postcards portraying cross-dressing and female and male impersonators in France, Sweden, Austria, Spain, Belgium, the United Kingdom, the United States, Germany, Italy, and Romania. Postcards include photographic and photomechanical prints, some hand-colored. All are printed between circa 1900 and 1930 and depict performers on amateur, café-concert, music-hall, and legitimate stages at the high-point of cross-dressing as a form of entertainment. Many depict gallant visual narratives of...
Dates: 1910

Liseron Parisiana, 1915

 Item — Box 1: [Barcode: 31924070754597], Folder: 11
Identifier: 102
Scope and Contents From the Item:

Stage and silent-film actor Clara Faurens appearing at the Theatre de la'Odeon (Paris) in the role of Pierrot, the commedia della arte stock figure of the lovesick clown. Inscribed verso: Brief note to Jeanne Gorno signed E. Hacquet.

Dates: 1915