Skip to main content

Postcards of female and male impersonators and cross dressing

 Collection
Identifier: 7778

COLLECTION DESCRIPTION

Postcards portraying cross-dressing and female and male impersonators in France, Sweden, Austria, Spain, Belgium, the United Kingdom, the United States, Germany, Italy, and Romania. Postcards include photographic and photomechanical prints, some hand-colored. All are printed between circa 1900 and 1930 and depict performers on amateur, café-concert, music-hall, and legitimate stages at the high-point of cross-dressing as a form of entertainment. Many depict gallant visual narratives of women being wooed by other women dressed as men. Additional postcards include humorous images, popular genre narratives, promotional portraits of theatrical and music-hall male and female impersonators, as well as World War I POW camp theatrical productions. Two postcards are credited to female photographers, Ilse Magenmiller (German) and Jessie Westbrook (American). Sets of postcards depict narrative sequences, including Joan of Arc, Les Cerises, Chasé-croisé, Idylle à Trianon, and Une Amourette Louis XV. One such sequence, Pierrot et Columbine (circa 1900), portrays a sexual ending with Columbine represented nude (in a pink body suit). Male and female impersonators featured include Robert Bertin, Jeanne Bloch, Leopoldo Fregoli, Monte Verdi, Louis Vernassier, Sarah Bernhardt, Gaby Deslys, John Graffton, Betti Kuhn, Hetty King, Zena Dare, Vesta Tilley, Winifred Ward, and Huntley Wright, among others.

Dates

  • 1900-1931, 1955

Language of Materials

Collection material in English, French

Extent

380 items. (380 items.)

Abstract

Postcards portraying cross-dressing and female and male impersonators in France, Sweden, Austria, Spain, Belgium, the United Kingdom, the United States, Germany, Italy, and Romania. Postcards include photographic and photomechanical prints, some hand-colored. All are printed between circa 1900 and 1930 and depict performers on amateur, café-concert, music-hall, and legitimate stages at the high-point of cross-dressing as a form of entertainment. Many depict gallant visual narratives of women being wooed by other women dressed as men. Additional postcards include humorous images, popular genre narratives, promotional portraits of theatrical and music-hall male and female impersonators, as well as World War I POW camp theatrical productions. Two postcards are credited to female photographers, Ilse Magenmiller (German) and Jessie Westbrook (American). Sets of postcards depict narrative sequences, including Joan of Arc, Les Cerises, Chasé-croisé, Idylle à Trianon, and Une Amourette Louis XV. One such sequence, Pierrot et Columbine (circa 1900), portrays a sexual ending with Columbine represented nude (in a pink body suit). Male and female impersonators featured include Robert Bertin, Jeanne Bloch, Leopoldo Fregoli, Monte Verdi, Louis Vernassier, Sarah Bernhardt, Gaby Deslys, John Graffton, Betti Kuhn, Hetty King, Zena Dare, Vesta Tilley, Winifred Ward, and Huntley Wright, among others.

Physical Description

Postcards, Photographs

General

Contact Information:
Division of Rare and Manuscript Collections 2B Carl A. Kroch Library Cornell University Ithaca, NY 14853 (607) 255-3530 Fax: (607) 255-9524rareref@cornell.eduhttp://rmc.library.cornell.edu
Compiled by:
RMC Staff
Date completed:
October 2018
EAD encoding:
Amanda Kiesl, October 2018

NOTES

Collecting Program: Human Sexuality Collection.

"Female impersonator" means the individual doing the impersonating is male and "male impersonator" means the individual doing the impersonating is female.

Status
Completed
Author
Compiled by RMC Staff
Date
October 2018
Language of description
Undetermined
Script of description
Code for undetermined script

Repository Details

Part of the Division of Rare and Manuscript Collections Repository

Contact:
2B Carl A. Kroch Library
Cornell University
Ithaca NY 14853
607-255-3530
607-255-9524 (Fax)