Box 31
Container
Contains 16 Results:
Unidentified costumes/dress
File — Box: 31, Folder: 14
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.
Unidentified festival: dancers
File — Box: 31, Folder: 15
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.
Unidentified festival: musicians
File — Box: 31, Folder: 16
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.
Vicos (unidentified)
File — Box: 31, Folder: 17
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.
Unidentified
File — Box: 31, Folder: 18-23
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.
Miscellaneous negatives, Vicos
File — Box: 31, Folder: 24
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.