Box 31
Container
Contains 16 Results:
Artifacts
File — Box: 31, Folder: 4
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.
Bolivia
File — Box: 31, Folder: 5
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.
Cuzco
File — Box: 31, Folder: 6
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.
Forte Principe de Beira
File — Box: 31, Folder: 7
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.
Huara
File — Box: 31, Folder: 8
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.
Lima
File — Box: 31, Folder: 9
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.
Puno
File — Box: 31, Folder: 10
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.
Sand Dunes - Coast of Peru
File — Box: 31, Folder: 11
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.
Tomabal
File — Box: 31, Folder: 12
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.
#1-62 (not complete series)
File — Box: 31, Folder: 13
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
circa 1946-1966.