Box 57
Container
Contains 33 Results:
Military conscripts at Carhuas, 1952
Item — Box: 57
Identifier: Digital Image ID: VC01064
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
1952
System of new terraces, 1952
Item — Box: 57
Identifier: Digital Image ID: VC00464
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
1952
Vicos main plaza, 1951
Item — Box: 57
Identifier: Digital Image ID: VC00347
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
1951
Modern terraced field, 1950-1965
Item — Box: 57
Identifier: Digital Image ID: VC01998
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
1950-1965
Vicos school, 1951
Item — Box: 57
Identifier: Digital Image ID: VC00353
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
1951
Ruined buildings of Vicos hacienda, 1950-1965
Item — Box: 57
Identifier: Digital Image ID: VC01994
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
1950-1965
Peasant homestead, 1952
Item — Box: 57
Identifier: Digital Image ID: VC00337
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
1952
Wheat field, 1952
Item — Box: 57
Identifier: Digital Image ID: VC00246
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
1952
Vicosino sleeps off the effects of fiesta, 1951
Item — Box: 57
Identifier: Digital Image ID: VC00295
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
1951
Fight during the burial ceremony, 1952
Item — Box: 57
Identifier: Digital Image ID: VC01037
Scope and Contents
From the Sub-Series:
The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates:
1952