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Box 19

 Container

Contains 113 Results:

Vicos house, 1951

 Item — Box: 19
Identifier: Digital Image ID: RMC2004_5295

Terraced fields, Vicos, 1952-1962

 Item — Box: 19
Identifier: Digital Image ID: RMC2004_5296
Scope and Contents From the Sub-Series: The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates: 1952-1962

The valley of Vicos, 1952

 Item — Box: 19
Identifier: Digital Image ID: RMC2004_5297
Scope and Contents From the Sub-Series: The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates: 1952

Women herding sheep and goats, 1952-1962

 Item — Box: 19
Identifier: Digital Image ID: RMC2004_5298
Scope and Contents From the Sub-Series: The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates: 1952-1962

Vicos man and boy making fence posts, 1952-1962

 Item — Box: 19
Identifier: Digital Image ID: RMC2004_5299
Scope and Contents From the Sub-Series: The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates: 1952-1962

Constructing buildings with brick, 1960

 Item — Box: 19
Identifier: Digital Image ID: RMC2004_5300
Scope and Contents

Several men and boys laying bricks for multi-room building.

Dates: 1960

Building a small farm in Vicos, 1960

 Item — Box: 19
Identifier: Digital Image ID: RMC2004_5301
Scope and Contents

Three young men laying adobe brick photographed against the sky.

Dates: 1960

Storing maize husks for fodder, 1952-1962

 Item — Box: 19
Identifier: Digital Image ID: RMC2004_5302
Scope and Contents

Maize husks stored in between two poles beside a house.

Dates: 1952-1962

Vicosina woman by hut with wool drying on hay, 1952-1962

 Item — Box: 19
Identifier: Digital Image ID: RMC2004_5303
Scope and Contents

Peasant woman standing by two huts with wool drying on hay stacks nearby. Mountains in the distance.

Dates: 1952-1962

Woman preparing pachamanca (?) over a fire, 1958

 Item — Box: 19
Identifier: Digital Image ID: RMC2004_5304
Scope and Contents From the Sub-Series: The material in this subseries adds to the depth of the collection by providing a visual dimension to documentation. Photographs and slides are clear and present a wide variety of scenes. The slides include scenes from Vicos, the Callejon de Huaylas, Cuzco and Bolivia. Some photographs of Vicos, showing the setting and impact of the CPP, were mounted as an exhibition collection. John Collier, Jr. and Abraham Guillen did a good deal of photography for the project; it is quite...
Dates: 1958