Box 17
Contains 13 Results:
Use Copy
Documents, publicity, funding proposals, correspondence, production notes, and video outtakes from Phil Zwickler's work on "Rights and Reactions," as well as several other documentary and video projects, including "Fear of Disclosure," "Silence = Death," and "Positive." Also, documentation of his work as editor for "PWA Coalition Newsline," and miscellaneous files and photographs, mostly from 1987 to 1992.
Use Copy
Documents, publicity, funding proposals, correspondence, production notes, and video outtakes from Phil Zwickler's work on "Rights and Reactions," as well as several other documentary and video projects, including "Fear of Disclosure," "Silence = Death," and "Positive." Also, documentation of his work as editor for "PWA Coalition Newsline," and miscellaneous files and photographs, mostly from 1987 to 1992.
Use Copy
Documents, publicity, funding proposals, correspondence, production notes, and video outtakes from Phil Zwickler's work on "Rights and Reactions," as well as several other documentary and video projects, including "Fear of Disclosure," "Silence = Death," and "Positive." Also, documentation of his work as editor for "PWA Coalition Newsline," and miscellaneous files and photographs, mostly from 1987 to 1992.
Use Copy
Documents, publicity, funding proposals, correspondence, production notes, and video outtakes from Phil Zwickler's work on "Rights and Reactions," as well as several other documentary and video projects, including "Fear of Disclosure," "Silence = Death," and "Positive." Also, documentation of his work as editor for "PWA Coalition Newsline," and miscellaneous files and photographs, mostly from 1987 to 1992.
Use Copy
Documents, publicity, funding proposals, correspondence, production notes, and video outtakes from Phil Zwickler's work on "Rights and Reactions," as well as several other documentary and video projects, including "Fear of Disclosure," "Silence = Death," and "Positive." Also, documentation of his work as editor for "PWA Coalition Newsline," and miscellaneous files and photographs, mostly from 1987 to 1992.
Use Copy
Documents, publicity, funding proposals, correspondence, production notes, and video outtakes from Phil Zwickler's work on "Rights and Reactions," as well as several other documentary and video projects, including "Fear of Disclosure," "Silence = Death," and "Positive." Also, documentation of his work as editor for "PWA Coalition Newsline," and miscellaneous files and photographs, mostly from 1987 to 1992.
Use Copy
Documents, publicity, funding proposals, correspondence, production notes, and video outtakes from Phil Zwickler's work on "Rights and Reactions," as well as several other documentary and video projects, including "Fear of Disclosure," "Silence = Death," and "Positive." Also, documentation of his work as editor for "PWA Coalition Newsline," and miscellaneous files and photographs, mostly from 1987 to 1992.
Use Copy
Documents, publicity, funding proposals, correspondence, production notes, and video outtakes from Phil Zwickler's work on "Rights and Reactions," as well as several other documentary and video projects, including "Fear of Disclosure," "Silence = Death," and "Positive." Also, documentation of his work as editor for "PWA Coalition Newsline," and miscellaneous files and photographs, mostly from 1987 to 1992.
Use Copy
Documents, publicity, funding proposals, correspondence, production notes, and video outtakes from Phil Zwickler's work on "Rights and Reactions," as well as several other documentary and video projects, including "Fear of Disclosure," "Silence = Death," and "Positive." Also, documentation of his work as editor for "PWA Coalition Newsline," and miscellaneous files and photographs, mostly from 1987 to 1992.
Use Copy
Documents, publicity, funding proposals, correspondence, production notes, and video outtakes from Phil Zwickler's work on "Rights and Reactions," as well as several other documentary and video projects, including "Fear of Disclosure," "Silence = Death," and "Positive." Also, documentation of his work as editor for "PWA Coalition Newsline," and miscellaneous files and photographs, mostly from 1987 to 1992.