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In red ink, "Exclusive to Miss Dorothy Royal" to two typed questions; one on the capabilities of the Labour Government, the other on prospects for polygamy in postwar Europe

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Three typed questions with Shaw's holograph answers

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Rehearsal notes for the productions of Arms and the Man (December 11, 1919); Great Catherine (February 17, 1921); You Never Can Tell (November 19, 1920)

COLLECTION DESCRIPTION From the Collection: Manuscripts, letters, documents, photographs, broadsides, microfilms, videocassettes, audio cassettes, posters, and other materials by and about Shaw, covering all aspects of his varied literary, critical, personal, and political activities. Includes 2122 manuscripts by or about Shaw; 832 letters by Shaw; 2580 photographs, including some 2400 of productions of Shaw's plays at the Arts Theatre Club in London, 70 photographs of Shaw himself and 14 taken by Shaw; and a large collection of...

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Also contains photocopy of another typing of the same statement, dated "April 1926;" including handwritten notes by Blanche Patch and Dan H. Laurence; explanatory note added on separate leaf by Bernard F. Burgunder

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A statement concerning the relationship between Shaw's Arms and the Man and Oscar Strauss's The Chocolate Soldier (original-Der Tapfere Soldat)

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Rehearsal notes; various dates, in Shaw's hand, appear on the manuscript

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Article appeared in Time and Tide of February 10, 1945; later reprinted in Time and Tide Anthology in 1956; note by Bernard Burgunder included

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Corner of a document cut off to show only Shaw's signature; in envelope

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Lists a series of topics for thirteen lectures, and possible speakers