A menu card with Ford's signature and the date.

Unidentified fragment of a possible short story, apparently dating from the 1930's.

A carbon typescript of a short story later published in the "Yale Review", XVIII Winter, 1928. Enclosed in a folder from Brandt and Kirkpatrick, New York and with corrections apparently in Ford's hand. Harvey D361.

A review by Ford of "Joseph Conrad: Some Aspects of the Art of the Novel" by Edward Crankshaw for the periodical "Time & Tide", London.

Fragments of various manuscripts: three leaves of unidentified manuscript; three photocopies of manuscript leaves with writing at the heading in pencil indicating that they are comprised of versos of writing on Wagner as well as verso of the title page of "The Goose Girl."

A book of musical compositions, including "At the Bal Masque," "Tandaradei," and untitled scores. Partially bound and in paper wrappers.

Various untitled verses, with corrections. With these first lines: "When runnels began to leap and to ring"; "He taught some sure of striplings and how to plough"; "The lamplight gilds the pictures on the wall"; "And [so] the ships above the wall."

An incomplete copy, with several versions of some pages and some penciled notes in Ford's hand.

Facsimile of Ford's letter to the editor in "The Outlook" (May 6, 1911) in reference to W. M. Rossetti's comments about "Ford Madox Brown: A Record of his Life and Works". With Rossetti's response to Ford's response.