Box 12

A review by Ford of "Joseph Conrad: Some Aspects of the Art of the Novel" by Edward Crankshaw for the periodical "Time & Tide", London.

Fragments of various manuscripts: three leaves of unidentified manuscript; three photocopies of manuscript leaves with writing at the heading in pencil indicating that they are comprised of versos of writing on Wagner as well as verso of the title page of "The Goose Girl."

A book of musical compositions, including "At the Bal Masque," "Tandaradei," and untitled scores. Partially bound and in paper wrappers.

Various untitled verses, with corrections. With these first lines: "When runnels began to leap and to ring"; "He taught some sure of striplings and how to plough"; "The lamplight gilds the pictures on the wall"; "And [so] the ships above the wall."

An incomplete copy, with several versions of some pages and some penciled notes in Ford's hand.

Facsimile of Ford's letter to the editor in "The Outlook" (May 6, 1911) in reference to W. M. Rossetti's comments about "Ford Madox Brown: A Record of his Life and Works". With Rossetti's response to Ford's response.

Facsimile copy of Ford's literary portrait (XV) of R. B. Cunninghame Graham, author of "A Hatchment", published in "The Outlook", Dec. 20, 1913.

Facsimile of Ford's literary portrait (XLII) of Robert Frost and his book of verse "North of Boston". Published in "The Outlook" (June 27, 1914).

Facsimile of Ford's literary portrait (XXIV) of William De Morgan and his novel "When Ghost Meets Shost". Published in "The Outlook", Feb. 21, 1914.

Manuscript version (57 leaves) and parts of the typewritten version (12 leaves) of a possibly unpublished story. With corrections in Ford's hand.